With just a month left in the first decade of the 21st century, I thought it was time to reflect on the last 10 years of cinema. I’ve seen somewhere between 1,300 and 1,400 films in the past 10 years – a lot of great films and plenty, not so great.
So for the next few weeks I thought I’d reflect on the past decade with my picks for the Top 50 of the 2000’s. Numbers 50-11 I will unveil on this blog, while the top 10 will be unveiled in a later edition of the Bowling Green Daily News.
So here we go with Numbers 50-41
50. Before the Devil Knows Your Dead (2007)
Director Sidney Lumet’s crime-drama about two brothers (Philip Seymour Hoffman and Ethan Hawke) who rob their parents’ jewelry store, triggering a series of tragic events is a hard film to watch, but features fascinating work from Hoffman, Hawke, Albert Finney and Marissa Tomei.
Lumet is the real star though, taking the uneasy subject matter and creating a tense thriller that is also an amazing study of a very dysfunctional family.
49. Amelie (2001)
This charming French import, about a young woman who decides to devote her life to ensuring the happiness of everyone around her, made a star of Audrey Tautou. I defy anyone to watch this film and not leave it feeling warm and fuzzy. This is one big Hallmark greeting card, anchored by Tautou’s great performance and Jean-Pierre Jeunet’s beautiful direction.
48. Chicago (2002)
This Best Picture winner gets credit for reviving the musical. While I will dispute that later on during this list, I will say this did at least make the musical mainstream again. From Richard Gere’s underrated performance to solid work from Renee Zellwegger and Oscar winner Catherine Zeta Jones, director Rob Marshall stages a visually engaging film with a pair of show-stoppers. “We Both Reached for the Gun” could be the best scene in any musical this decade.
47. Half Nelson (2006)
Sometimes a film comes completely out of left field and this drama about an inner-city junior high teacher (Ryan Gosling) with a drug habit who forms an unlikely friendship with one of his students is one of those films I still like to catch up with from time to time. This is one of those films that could have gotten too sentimental for its own good, but it stays grounded in some difficult subject matter – making the material that much stronger.
46. Garden State (2004)
Sometimes a film just clicks an emotional chord and that is the case with this film from Zach Braff about a man who returns home for his mother’s funeral after being estranged from his family for years. Braff’s material doesn’t cover any new ground or anything, but strong supporting work from Peter Sarsgaard and Natalie Portman make this way better than it probably should have been.
45. Pan’s Labyrinth (2006)
I had a chance to see this again the other day and Guillermo Del Tero’s fantasy set in a war-torn 1944 Spain still wowed me with it’s stunning visuals and floored me with it’s surprising human depth.
44. The Queen
What could have been a standard bio pic about how Queen Elizabeth (Helen Mirren) turned to Tony Blair (Michael Sheen) to help heel the wounds of a country after the death of Princess Diana is much more thanks to Mirren, Sheen and director Stephen Frears. The film is funny, informative, insightful, and most of all entertaining.
43. Syriana (2005)
“Traffic” set the standard, but this political thriller about corruption in the oil industry is just as complex and entralling – with George Clooney, Jeffrey Wright, and Matt Damon among the standout performances.
42. Far From Heaven (2002)
I have long been a fan of Julianne Moore, but the fact that she didn’t win an Oscar for her role in this film – as a housewife whose picturesque 1950’s marriage is shattered when he husband reveals he is gay. The hurt and anguish Moore’s character endures, as well as the courage shown in her friendship with her black gardner (Dennis Haysbert) is so complex – is so astounding that a believe only a select few actresses could have pulled this off.
41. Maria Full of Grace (2004)
Another film anchored by a strong female performance, this story of a pregnant Colombian teenager (Catalina Sandino Moreno) who becomes a drug mule to make some desperately needed money for her family is a powerful drama that gets its strength from Moreno’s aching performance. Moreno is so good here, I’m surprised she hasn’t made the transition to higher profile work (although she does have a role in the next “Twilight” film)
So there is my first 10. Do you agree or disagree? Send me comment and let me know what is your pick